Doorgaan naar hoofdcontent

Stedelijk Museum Amsterdam.Seth Price: Social Synthetic.2017.

(Part One).
For ideological reasons as the saying goes' the exception confirm always the rule', the first artistic exceptions are already appear and at all not surprised at the art.
They appeared not to show what will be follow or what is going to happen after our social renewal but to prove and welcome for one more time in generally Heraclitous(c.535 BC) doctrine ' Τα παντα ρει'-Greek-'Everything is flowing '- or his 'No man ever steps in the same river twice', Ionian school of Philosophy or Xenophanes of Colophon (c.570-c.475 BC)epistemology and critical rationalism which is still influential today and others philosopher's of the ideological world.
The artistic exceptions are the confirmation of the rule that artistic renewal is being impossible without social renewal in the socialist sense to get information about the new world around us which is always changing..
A social renewal of interest,way of communication,observation, mislead,imagination,counterfeit,reaction or hardly refuse to face the reality.
Seth Price(1973)the American artist in his exhibition 'Social Synthetic,2017,' ins an example of the artistic renewal who is possible in our new different policies that benefit society as a whole.
                                   Exhibition 'Seth Price-Social Synthetic,2017'
                                       at The Stedelijk Museum Amsterdam
                                               until 3 September 2017.
(Part One.)
(Text/Photography(c)Tzina-Mersina Alimpoutaki-Joustra.
All rights reserved.)
Part Two:https://blogmersinaspot.blogspot.com

                                                                          Danny, 2015.
Dye-sublimation print on synthetic febric,aluminium,Led matrix.Private collection.
Price used a computer-controlled robotic camera to gather thousands of photographs of a model's skin,which were stitched into a single image using satellite-imaging software.Subsequently adjusted by a fashion retoucher and processed through as 3D graphics program, these photographs yield light box images that are both large in size and high in resolution,displaying the human surface in disconcerting detail.




                                                 Vintage Bombers (2005-2008).
Using a bomber jacked allowed Price to change focous from the body to its container and marks his interest in the way images change over time.
Vintage Bomber 2008.
Synthetic enamel on vacuum formed.High-impact polystyrene.
Private collection.
Untitled 2006.
Fluorescent highway ink screen and enamel printed op PETG.
Courtesy of the artist.
Vintage Bomber,2005.
Screen-print ink on vacuum-formed.
High-impact polystyrene.
Private collection.Switzerland.


Vintage Bomber,2005.
Screen-print ink on vacuum-formed.
High-impact polystyrene.
Private collection.
The Bomber Jacket.
Originally created for WWI military pilots and based strictly on utility the bomber Jacket was adopted as a symbol by numerous 20th century subculture,from bikers to punk to hip-hop' explain The Stedelik Museum.
Today is stands as a ubiquitous icon of mass-produced fashion.Crumpled as if discarded, and stamped with its date of production,the cast and molded jacket is rich in references to the ongoing, fast changing production of identity.
'Vacuum Forms'as the experts of the Stedelik Museum underline ' and Packaging and wrapping appear throughout Price's work in his vacuum-formed works(2004-2008).
He uses plastic to present hollow, mold-like tableaux and the vacuum forming was invented in the Postwar period to package commercial merchandise and evokes manufacturing and mass consumption.
Price's vacuum-forms in the begin of that creation went up the importance of motifs like hands and breasts but later on he found more importance masks,bomber jackets at the still-life motif of a flower as clear up experts by The Stedelijk Museum .
The dilatation is pointing up his engaging tensions between flatness and volume,beauty and ugliness,presence and absence, the machine and the body.
Prince suggests the ways that packaging and display create mening through a servies of oppositions and inversions.

 Price's earliest vacuum forms feature classically sculptural,figurative motifs like hands and breasts, all stranded in blank industrial surfaces.

                                                         



                                                          Dispersion.
The process of interest of something special was for Price an particular theme which can give an especial exploration about how digital culture transforms meaning and concepts to digital reproduction and online platforms.
Seth Price who concern of mutability and the appropriation of cultural consumerism gives a susceptible redistribution of sound,music and written texts engaging strategies of consider issues about cultural production and distribution of information which is one of the most particular fact of our society.










                                  The Stedelijk Museum Amsterdam.The Netherlands.


Part Two:https://blogmersinaspot.blogspot.com






Een reactie plaatsen

Populaire berichten van deze blog

Daubigny Monet Van Gogh:Impressions of Landscape at Van Gogh Museum Amsterdam.The Netherlands.

Doubignywas influenced by the impressionists and the impressionists influenced first by Doubigny and later on by Van Gogh who proceed to bring the impressionism at the level that uses colours to show the effects of light and to suggest atmosphere rather that showing exact details.
Exhibition'Daubigny Monet Van Gogh:Impressions of Landscape' at 
                             The Van Gogh Museum Amsterdam until 29 January 2017presentsCharles Francois Daubigny's(1817-1878)artworks that played an important role in the evolution of 19th-century French landscapeart, influenced Van Gogh ,Monet, Pissaro, Sisley and besides explore the connection between the French artist and the impressionists.
(Text/photography Tzina-Mersina Alimpoutaki-Joustra.
All rights reserved).
         Vincent Van Gogh.(1853-1890).
                                 Title:Doubigny's Garden.1890.Oil on canvas.
                                                 Rudolf Staechelin Trust.
     Vincent Van Gogh.
      …

Marc Chagall's Calvary in The Nieuwe Kerk in Amsterdam

Marc Chagall's masterpiece 'Calvery',1912 is a depiction of his super reality, alogical, and  irrational imagination as Guillaume Apollinaire refer to him as a ' surrealist' and as Andre Breton call also him the 'Pope of Surrealism'.
                       Marc Chagall's Calvary from 20 February to 10 April 2016.
Text/photography (c) Tzina Mersina Alimpoutaki-Joustra.
All rights reserved).
 Marc Chagall (1887-1985).
 Calvary, Paris,1912. Oil on canvas, 174.6x192.4 cm.
The Museum of Modern Art, New York.Acquired through the Lillie P. Bliss Bequest, 1949. (c) 2016. Digital image. The Museum of Modern Art, New York/Scala, Florence.
(c) C/o Pictoright Amsterdam 2016. Chagall (R) is a registered trademark, owned buy the comite Marc Chagall.




Paul Mosterd, deputy Director of The New Church during the opening of  the presentation of  Marc Chagall's masterpiece Calvary.



Gijs van Tuyl, curator of the exhibition Marc Chagall's masterpiece Calvary during the press…

Frans' Post 34 unknown drawings at The Rijksmuseum Amsterdam. The Netherlands.

Spectacular discovery of 17th century Golden Age the drawings by Frans Post(1612-1680) which are on display at The Rijksmuseum Amsterdam from 7 October 2016 to 8 January.
Under the title 'Frans Post.Animals in Brazil' the exhibition present 34 unrecognized for centuries artworks by Frans Post from Haarlem-The Netherlands-which were discovered in the Noord-Holland Archief, Haarlem,created by Frans Post in the years 1637-1644 when he worked in Brazil.
The first European artist who painted landscapes and therefore of South Africa but as we know now also animals in Brazil, Frans Post contemporary of Frans Hall traveled in 1636 to Dutch Brazil at the invitation of Johan Maurits van Nassau-Siegen.
  Slingeraap.Frans Post.(1612-1680).
 Portrait of Frans Post by Frans Hals.
     Artist.Frans Post.Olinda Brazil.Rijksmuseum Amsterdam.

Famous of the paintings of Brazil landscapes which he created after his return to The Netherlands Frans Post was absolutely unknown in relevence to the nati…