Doorgaan naar hoofdcontent

Nature's laws..but technology can give them back Van Gogh's,Rembrandt's colours at the Rijksmuseum's Amsterdam Symposiums.

To arrive an artist at an artificially creation need to calculate with any deagree of precision a lot of details to release stringly the need-to-know basis,because he is not working and is not making art with his hand, eye and material but with his mind.
(Polyclitos 5th century.BCE).
 'Nature environment' as he called also artist's hand, eyes and material, is for the artist 'technical obstacles' that put him against the nature in battle try and use the power of his mind and thoughts in combination with respect to nature.
Vincent Van Gogh's and Rembrandt's creations are the result of their courage, strengh and respect to the nature. 
But the only is that nature is always following its rulles,regulations and laws.
'Nature environment' (hand-eye-material) third part material- colour,ink,stone,wood,metal etc- or 'Technical obstacles' which are following their nature's instructions, give may be the answer to the chemists, computer scientists, conservators, art historians and researchers that trying to figure out why this has happend and what van Gogh's and Rembrandt's paintings have become discoloured.
(Text/photography Mersina Alimpoutaki-Joustra.
All rights reserved).
                           Rijksmuseum Amsterdam. Science4Arts. Symposiums.The Netrherlands.
                                      Vincent Van Gogh.Bedroom in Arles.1888.
                                             The Rijksmuseum Amsterdam.
Van Gogh's and Rembrandt's colours are 'changed' but the modern technology can give them back the lost third part of their victory according to the researchers that are examining the discolaration.
                                             Rembrandt's Colours Examination 

 'REVICO project: Reassessing Vincent van Gogh's use of color using digital recostructions. 
The REVICO project is a collaboration between the Van Gogh Museum(VGM), the Cultural Heritage Agency of the Netherlands (RCE), Tilburg Univercity and the Delft University of Tegnology.
AKZO-NOBEL has been participating in the project since the second year.
At the main point of the REVIGO project'..How can digital methods contribute to create virtual reconsructions of drawings and paintings based on integrated knowledge on art history, art technology and colour science?,
The answer is:'..Vincent van Gogh's paintings, drawings and letters have significantly changed in appearance due to colour degradation(process that makes the colour less strengh). 
Digital reconstructions that rely firmly on material-technical studies of the colours used helped to envisage how the artist's works may have looked at the time of creation, prior to the effects of discolouration.
Using advanced digital methods from the domains of image processing and machine learning, the virtual reconstructions were rendered by combining multiple sources of information.
A number of carefully chosen case examples did form the basis of this study. Although starting with Van Gogh, the interdisciplinary REVIGO project pertains in particular to the broader scop of 19th century artworks, as well as to the conservation and restoration of drawings and paintings in general.

The project employs a multidisciplinary approach in which art historians, conservators, heritage scientists, colour scientists and computer scientists collaborate a. Acquire knowledge about the ageing process in artworks(drawing from material science, heritage science and art history.
b.Investigate and evaluate machine learning and image processing algorithms suitable for knowlegde intergration and visualisation.
c.develop digital methods to integrate and visualise the results of specific artworks. The project team is subdivided into a group that studies ageing in drawings and one that studies ageing in paintings.

                                      The Rijksmuseum Amsterdam.Symposiums.

                     Rembrandt.The Jewish Bride,c.1665,canvas.Rijksmuseum Amsterdam.

                      The Rijksmuseum' Amsterdam Symposiums 2016-2017. The Netherlands.

Een reactie plaatsen

Populaire berichten van deze blog

Daubigny Monet Van Gogh:Impressions of Landscape at Van Gogh Museum Amsterdam.The Netherlands.

Doubignywas influenced by the impressionists and the impressionists influenced first by Doubigny and later on by Van Gogh who proceed to bring the impressionism at the level that uses colours to show the effects of light and to suggest atmosphere rather that showing exact details.
Exhibition'Daubigny Monet Van Gogh:Impressions of Landscape' at 
                             The Van Gogh Museum Amsterdam until 29 January 2017presentsCharles Francois Daubigny's(1817-1878)artworks that played an important role in the evolution of 19th-century French landscapeart, influenced Van Gogh ,Monet, Pissaro, Sisley and besides explore the connection between the French artist and the impressionists.
(Text/photography Tzina-Mersina Alimpoutaki-Joustra.
All rights reserved).
         Vincent Van Gogh.(1853-1890).
                                 Title:Doubigny's Garden.1890.Oil on canvas.
                                                 Rudolf Staechelin Trust.
     Vincent Van Gogh.

Marc Chagall's Calvary in The Nieuwe Kerk in Amsterdam

Marc Chagall's masterpiece 'Calvery',1912 is a depiction of his super reality, alogical, and  irrational imagination as Guillaume Apollinaire refer to him as a ' surrealist' and as Andre Breton call also him the 'Pope of Surrealism'.
                       Marc Chagall's Calvary from 20 February to 10 April 2016.
Text/photography (c) Tzina Mersina Alimpoutaki-Joustra.
All rights reserved).
 Marc Chagall (1887-1985).
 Calvary, Paris,1912. Oil on canvas, 174.6x192.4 cm.
The Museum of Modern Art, New York.Acquired through the Lillie P. Bliss Bequest, 1949. (c) 2016. Digital image. The Museum of Modern Art, New York/Scala, Florence.
(c) C/o Pictoright Amsterdam 2016. Chagall (R) is a registered trademark, owned buy the comite Marc Chagall.

Paul Mosterd, deputy Director of The New Church during the opening of  the presentation of  Marc Chagall's masterpiece Calvary.

Gijs van Tuyl, curator of the exhibition Marc Chagall's masterpiece Calvary during the press…

Frans' Post 34 unknown drawings at The Rijksmuseum Amsterdam. The Netherlands.

Spectacular discovery of 17th century Golden Age the drawings by Frans Post(1612-1680) which are on display at The Rijksmuseum Amsterdam from 7 October 2016 to 8 January.
Under the title 'Frans Post.Animals in Brazil' the exhibition present 34 unrecognized for centuries artworks by Frans Post from Haarlem-The Netherlands-which were discovered in the Noord-Holland Archief, Haarlem,created by Frans Post in the years 1637-1644 when he worked in Brazil.
The first European artist who painted landscapes and therefore of South Africa but as we know now also animals in Brazil, Frans Post contemporary of Frans Hall traveled in 1636 to Dutch Brazil at the invitation of Johan Maurits van Nassau-Siegen.
  Slingeraap.Frans Post.(1612-1680).
 Portrait of Frans Post by Frans Hals.
     Artist.Frans Post.Olinda Brazil.Rijksmuseum Amsterdam.

Famous of the paintings of Brazil landscapes which he created after his return to The Netherlands Frans Post was absolutely unknown in relevence to the nati…